CONCIERTO EN ARGENTINA ,HISTORIAS DE UNA GIRA :1974
Marian McPartland interview, January 3-4, 1997, and May 26, 1998, Archives Center, National Museum of American History
Interviewee: Marian McPartland (1918- ) Interviewer: James Williams (1951-2004) WILLIAMS: O.k. let me mention just one or two other names from the past that I wanted to ask you about. Did you know, and this is still dealing with the piano again,how was someone like Earl Hines?
McPARTLAND: I had the good fortune to go to South America with Earl Hines, because George Wein set up this tour. I was very pleased to be on it. It was me, EllisLarkins, Teddy Wilson, and Earl Hines. I already knew Earl. I met him with Jimmy, andI’d heard him years before when they had this group with Louis and Jack Teagarden andEarl. That was a short-lived group, but I did hear Earl then and on other occasions inclubs. He was always very very nice to me, fatherly and encouraging me and “You soundgood” and all this stuff. I was fascinated. He took a tune by Herb Alpert, which sort of surprised me. “Close to You.” Remember that tune? It was interesting to be on this tour, which wasabout a month or six weeks. He would be working into this tune. He would play it everynight, and you would . . . It would be like somebody doing a sculpture, starting with apiece of clay, and as nights went by, you’d see the thing take shape, how he would change the harmony and improve on the choruses. It was really fascinating to see how he developed some new tune that he was going to play. Then he played a lot of things that . . . in his repertoire. It used to amaze me that he would seem to get so far away from the tune. He would start rhythmically. It would be like [laughs] he would be wriggling and wriggling and wriggling and getting into a corner, and you’d think he’s never going to get out of this, with all these sheets of sound and things that he was doing. He’s painting himself into a corner. He’s never going to be able to come back to the melody. Of course he always did. As you know, he was a great showman. Just watching him night after night was a fascinating experience. He allowed me to record him for Halcyon. We recorded the four of them for my label. I made the record in Argentina. The engineer couldn’t speak English, and I had to have someone translate everything so that he knew what I wanted to do. We did it live in this concert hall. I carried this huge reel of tape all across South America, through Ecuador, Peru, Chile, and everywhere. Brought it back to the States and “Jeez, is there anything on the thing?” Took it to the studio, and it was perfect. The sound, everything, was really great.
McPARTLAND: Thinks like . . . [laughs] for instance I had this engineer. This is just one instance. Teddy [Wilson] and I made this record together, and . . . Wait a minute. Which one was it? No, I think it was in Argentina. Teddy made a horrible . . . played a really bad note. I said to this engineer—we were listening to everything—I said, “My God, let’s get rid of that for him. Let’s take that out.” It is so clever what they do. Theytake a little phrase from somewhere else. You probably know this. They had the samethree notes in another part of the tune. He was able to take it and take out the bad noteand put in this other little piece. It was neat. It’s so clever. Years later I was able to do that, recording with Dave Brubeck. I did that same thing. Played a terrible wrong note. Phil Edwards, the engineer with Concord, he was able to take that out in the same way. That’s just one on many things. Hearing the different things and deciding what was better, and the balance, but most of all, hagglingwith distributors. That’s the biggest thing. Trying to get publicity. Actually, we didn’t dobadly, now that I think about it. But so many people . . . It was a rash of mail-order records. Mingus did it first of all. Remember that? WILLIAMS: Debut Records. Yes.
Anita Wardell fundraiser following stroke.
-
Singer Anita Wardell, 62, has suffered a devastating stroke and a
fundraiser has been set up HERE.As one who knows, following the recent loss
of my wife, h...
The Bixography Discussion Group •
-
A nice photo of Herb Heuer "The Vagabond Chief."
https://www.facebook.com/HistoryDougSmith/posts/herb-heuer-the-vagabond-chiefpictured-is-orchestra-leader-h...
CURTIS TAYLOR CD: Taylor Made
-
Pistas
1.Kham's Dilemma 2.After The Rain 3.Heightened Awareness 4.For Her
5.Indomitable 6.Hashtagged Theme 7.Journey
Intérpretes
Curtis Tay...
WYATT EARP
-
Nacido en una granja de Iowa, *Wyatt Earp* (*Kevin Costner*) huye de su
hogar, en plena Guerra Civil (1861-1865), para alistarse en el ejército de
la ...
From the Record Shelves #217
-
[image: From the Record Shelves #217 - The Wild Dog]*From the Record
Shelves #217 - The Wild Dog* - A big department store in the center of town
was clos...
Puro Jazz 17 abril 2024
-
[image: Puro Jazz 17 abril 2024]
MELISSA ALDANA ECHOES OF THE INNER PROPHET
- New York, c. 2023
Melissa Aldana (ts,comp) Fabian Almazan (p) Lage Lund...
Gypsy jazz hangouts
-
I'm thinking about moving to Europe this late summer and fall to live for 4
to 5 months. I'd like to live in an area with a thriving active gypsy
guitar ...
Pájaros (2024)
-
*Director: Pau Durà*
*España/Rumanía, 2024, 100 minutos*
*Pájaros* (2024) de Pau Durà
Los azares del destino unen a dos granujillas de medio pelo cuyas ...
INFLUENCIAS 13 DE ABRIL de 2024
-
Pablo Murgier y su hermosa fusión de tango y otras yerbas, desde París. El
guitarrista Yamandu Costa y su nuevo álbum. Canciones de Yupanqui en las
version...
FYEAR
-
*FYEAR es un poderoso octeto liderado por el compositor Jason Sharp y la
poetisa y escritora Kaie Kellough, que fusiona voces habladas con
composiciones ...
Big Band ! 27
-
*Las primeras grabaciones del prolifico pianista,compositor y productor
Juan Carlos Calderon,circa 1966/68.Curiosas grabaciones de la orquesta de
Jimmy Do...
JAZZ MODERNO A LA ANTIGUA USANZA
-
JEPPE ZACHO, Introducing (April Records, 2024)El saxofonista Jeppe Zacho
habla el lenguaje de los tenores modernos herederos del bop de Coltrane y
Dexter G...
Malvinas Argentinas
-
En un nuevo aniversario de la guerra de las Islas del Atlántico Sur, la *Biblioteca
Popular Carlos Sánchez Viamonte* se suma a los homenajes a los caídos,
...
Live: April/ May 2024
-
*Ellington 125*
*20 April, 2024 *
*Mr Tipple's, 39 Fell Street, San Francisco USA 94102*
*17:15 (PDT); 19:00 (PDT)*
*Nick Rossi presents The Jazzopa...
Bill Evans en Todos los Colores
-
A mediados del siglo XX, surgió en Estados Unidos un músico de jazz que
encarnó la síntesis entre la música que, por agilizar la conversación,
solemos llam...
Jazz Lo Sé Standards: Episodio 182
-
Queridos seguidores de Jazz Lo Sé:
luego de cuatro años de presencia ininterrumpida de Jazz Lo Sé en vuestra
plataforma preferida (durante 3 de ellos, do...
NOTICIERO DE JAZZ: OCTUBRE 2023 (I)
-
Sábado 7 de octubre.
Músico del día: "Papa" Jo Jones.
(07 OCTUBRE)
BREVES:
ANIVERSARIOS DE JAZZ: 7 DE OCTUBRE
--N...
Sol Schlinger, Baritone Sax Extraordinaire
-
In the 1950s, when the 12-inch album became dominant in jazz and pop, many
labels needed musicians who could record perfectly in the fewest number of
takes...
Shellac Stack No. 324
-
Shellac Stack No. 324 chirps with the birds! We dance with Bob Deikman,
Roger Wolfe Kahn, Sam Lanin, Nat Shilkret, the Savoy Havana Band, and
others; laugh...
HOMENAJE A FERNANDO SUÁREZ PAZ
-
El bandoneonista Horacio Romo, el pianista Nicolás Ledesma, Daniel Falasca
en contrabajo y el guitarrista Ricardo Lew, se reúnen para homenajear a
Fernando...
Jazz Casino: formación de 1958
-
Fotos de la orquesta Jazz Casino, previas a julio de 1958. Se anuncia que
en dicho mes tocarán en Porto Alegre y otras ciudades brasileñas. El
retorno está...
JORGE GARCIA - "DEDICATED TO YOU" (2022)
-
*Aunque su nombre no es conocido por los amantes del jazz en todo el país,
el guitarrista de origen cubano JORGE GARCIA ha trabajado con muchos
músicos ...
Louis Forever
-
Twenty years ago I celebrated Louis Armstrong’s influence with some of my
favourite musicians for The Herald Magazine, in advance of a centenary
concert at...
In Loving Memory of Jack Bradley
-
The ranks are thinning, my friends. And the world just got a whole lot less
fun. Jack Bradley has left us, passing away on March 21 at the age of
87. I've ...
Jazz Scene in Boston Exhibit Extended
-
In September 2019, I worked with Chandra Harrington and the staff at the
Museum of African American History to develop the exhibit, Jazz Scene in
Boston: T...
Duke Ellington’s British Diary, 1933
-
The core of the information set out below comes from Howard Rye (1980)
‘Visiting Firemen 1: Duke Ellington’ Storyville, 88 (April 1980): 128–30. I
have add...
WKCR Traditions in Swing: Frank Teschemacher
-
WKCR Traditions in Swing: Frank Teschemacher:
Aired on June 25, 2016, Phil Schaap hosts this episode of Traditions of
Swing on WKCR 89.9 FM NY, dedicated ...
-
ESTE 2017 NOS ENCUENTRA NUEVAMENTE CON EL 4TO AÑO DEL CICLO DE JAZZ EN EL
BAR CAFE BONAFIDE DE CASTELAR
ESTE AÑO HEMOS CAMBIADO A LOS SABADOS POR LAS NOCHE...
PREMIO A LA EXCELENCIA HCM
-
El próximo 28 de setiembre a las 17 hs en el salón Aquiles Lanza de la
Intendencia Municipal de Montevideo; se va ha entregar al Hot Club de
Montevideo el ...
No hay comentarios:
Publicar un comentario