Wild Bill Davison (cnt) Marito Cosentino y sus Jazz Cats: Miguel Piccolo (tb) Marito Cosentino (cl) Enrique Varela (ts) Juan C. Cirigliano (p) Enrique Costa (g) Guillermo Facal (b)Eduardo Casalla (d)
Teatro "La Cova", Martinez, Argentina, July 26-27, 1978
Todo mi ser Domingo Algun dia te arrepentiras Pavoneandose con algun asado
Buenos Aires, July 28, 1978 Septiembre en la lluvia Me sentiré a escribir una carta Eres demasiado hermosa
Azucar Someday you'll be sorry Struttin' with some barbecue There'll be some changes made - Memories of you - Rose room - After you've gone - Running wild -
Wild Bill Davison and the Red Hot Pods, Vienna, recorded 1978 this video in the Jazzland
MARITO COSENTINO: Clarinetista y director de orquesta nacido en 1930. Su padre fue saxofonista de orquestas de Jazz y de la Banda Sinfónica de la Policía Federal. Estudió música y clarinete, comenzando su actividad profesional a los 11 años con la orquesta de Eddy Kay. Luego pasó a la de Barry Moral, como saxo tenor, y posteriormente a la de Eduardo Armani. Dejó la orquesta para formar la Casablanca Jazz, con Dante Amicarelli, Quique Viola, Tito Colom y otros músicos. Este grupo se convirtió en la orquesta de Ray Nolan, seudónimo de Tito Colom. Luego formó, siempre con Amicarelli, la Montecarlo Jazz. En la década del 60 fue acompañante habitual de cantantes que grababan en CBS. Alternó esta tarea con la interpretación y composición de música sinfónica. En los 70 formó los Jass Cats, integrados por Adolfo Rossini (trompeta), Christian Kellens (trombón), Enrique Varela (saxo tenor), Juan Carlos Cirigliano (piano), Ricardo Lew (guitarra y banjo), Alfredo Remus (contrabajo) y Pichi Mazzei (batería). Rossini, Varela y Cirigliano integraron también la gran orquesta con la que Cosentino grabó a mediados de los ochenta. http://www.rockolafree.com.ar/ARG-M1.htm
Wild Bill Davison with Red Hot Pods
Rec. in Vienna 1978, Jazzland.
Wild Bill Davison co Dieter Bietak co Claus Nemeth cl Lothar Reichhold p Erwin Frassine bjo Bibi Libowitzky b Helmuth Schneeweiss dm
IT SEEMS like only yesterday; or maybe the day before yesterday, that I first heard the sound of "Wild Bill" Davison's horn. The record being aired on radio KRE's early morning "Alarm Klock Klub" featured the hottest cornet I'd ever heard. I phoned the program's DJ, Phil McKernan (father of the Grateful Dead's "Pig Pen" ) to get the title. The recording was a 12-inch 78 rpm item, "That's a Plenty," just issued, in 1944 on the Commodore Music Shop label. "That's a Plenty" was Davison's first recording under his own name - and it proved for the remaining 46 years of his life to be his best known and most admired recording - and he made hundreds. A couple of years later, the Navy having conveniently stationed me fairly close to Manhattan, I went to opening night at Eddie Condon's Jazz Club in Greenwich Village, mostly to hear Wild Bill live. I heard him all right - in fact, with the club's doors open, most of lower Manhattan could hear that horn. We became casual acquaintances a few weeks later, good friends much later. His cornet playing - whether searingly hot or delicately cool - continued for all his life to be some of my favorite jazz sounds. And they still are. "The Wildest One - the Life of Wild Bill Davison" by Hal Willard (Avondale Press; 437 pages, illustrated; $26.75) not only tells Davison's story, it also captures the jazz environment and the cultural history of his times. It is a history of jazz in the sense that Davison's life was jazz history. Davison hated all definitions and categorizations, especially in music. "Jazz," he said, simply "is the way I play." Willard spent years putting this volume together, most of it while Davison was still alive. It is a personal, often intimate glimpse of Davison the brilliant musician, the remarkable boozer; the sensitive human who built ship models and model railroads and collected World War II memorabilia; and the noisy, arrogant malcontent. Beginning with Davison's boyhood in Defiance, Ohio, the book rambles through his life by way of strong writing. Willard is a veteran journalist, mostly with the Washington Post, and jazz fan of long standing. Featured in "The Wildest One" are an amazing number of reminiscences and anecdotes - "Wild Bill got to be 25 years old, liked it, and just stayed there," is one. Another - "I consider myself an endangered species," Davison often said when he felt the "old jazz crowd" had died and deserted him. Born in 1906, Davison was playing professionally by 1922 and working all over the Midwest for years to come. He met up with Bix Beiderbecke, was in the auto wreck that killed clarinetist Frank Teschemacher, idolized Louis Armstrong, and by the 1930s was, like most hot jazzmen, going nowhere and drinking lots. This book chronicles Davison's every move, has comments and reminiscences based on 500 interviews and 60 taped hours with Davison. There is, of course, too much detail, too many irrelevant memories. This is the story, often a sad one, of an artist who could and should have made it to the top in his chosen field. But he didn't; he spent most of his life after his successes in the 1940s and '50s playing festivals, working one-nighters, traveling, traveling; moving from East Coast to West, from the United States to Denmark to Australia. His encounters with other jazz greats and his attitudes and opinions of their work are duly documented, as are his many marriages. The fifth and final Mrs. Davison, Anne McLauchlan (who survives) stuck with Wild Bill for the last 33 years until his death in 1989 at 83. Without her he would have followed most of his hard-driving, high-living musician friends to an early grave. http://www.sfgate.com/cgi-bin/article.cgi?f=/e/a/1997/05/16/WEEKEND13484.dtl&type=printable
Estimado Mario, al visitar tu página -maravillosamente hecha- se me ocurrió bajar este trabajo y no acierto dar con el pass para abrir la carpeta del rar. Espero me llegue la usgerencia. jagperiodismo@gmail.com
Juan Alberto Guttlein Aleman56 www.lanovaboticadelaleman.blogspot.com
CONCIERTO MACABRO
-
*George Harvey Bone* (*Laird Cregar*) es un talentoso compositor y pianista
que, en estado de máxima tensión o concentración, sufre ciertos lapsus
tem...
INFLUENCIAS 27 DE ABRILde 2024
-
Jorge López Ruiz y su "El Grito" (título pertinente para esta aciaga hora
que vive el país); Cintia Arévalo interpreta canciones de la pionera del
rock arg...
IVANNA CUESTA - A LETTER TO THE EARTH
-
*La cotizada baterista, compositora, educadora y sintesista dominicana
Ivanna Cuesta González se enorgullece de presentar su álbum debut, A Letter
to the...
The Bixography Discussion Group •
-
I may have something new. Re: the title of the post -- please hear me out,
I'm not crazy.
We know that Lou Black returned to the Carlisle Evans band after...
Bridge material and design
-
The more I fiddle with guitar setup, the more I'm interested in what's
going on.
Why are bridges made from either rosewood or ebony? Why not spruce with...
From the Record Shelves #224
-
[image: From the Record Shelves #224 - Indigo Stomp]*From the Record
Shelves #224 - Indigo Stomp* - There have been clarinet players all over
the world w...
Nazareno Cruz y el lobo (1975)
-
*Título completo: **Nazareno Cruz y el lobo: las palomas y los gritos*
*Director: Leonardo Favio*
*Argentina, 1975, 92 minutos*
*Nazareno Cruz y el lobo*...
Siena Jazz tra i vincitori del bando PNRR del MUR
-
Assegnati 1.634.295,00 euro per il progetto Jazz Able. Presentazione
ufficiale durante l’International Jazz Day 30 aprile alle ore 16.00 – Sala
Sant’Ansa...
Puro Jazz 26 abril 2025
-
[image: Puro Jazz 26 abril 2025]
COLTRANE
- Hackensack, NJ, May 31, 1957
Straight Street (1,2,3) Johnny Splawn (tp-1) John Coltrane (ts) Sahib
S...
VIRTUOSISMO Y COLOR
-
FERNANDO BROX, From Within (Fresh Sound, 2024)Fernando Brox pertenece a esa
rara especie de flautistas de jazz capaces de armar un discurso sólido y
fluido...
GEORGE POLYHRONAKOS CD: Tender Gravity
-
Pistas
1.Tender Gravity 2.Jab 3.Bass Ode 4.Ambotis 5.Gimme Five (Snareland II)
6.From Dawn Till Vesper 7.Coppernicus 8.Rendezvous With A Farew...
Día del libro
-
Este 23 de abril se celebra el Día Internacional del Libro, fecha que
supuestamente coincide con la muerte de Cervantes y Shakespeare, además de
Garcilas...
Big Band ! 28 : Eso que llaman Vocalese
-
*Para desentrañar los misterios del Vocalese:los Manhattan Transfer y la
poesia de Jon Hendricks,uno de los inventores de la cosa.Ademas los Heath
Br...
Live: April/ May 2024
-
*Ellington 125*
*20 April, 2024 *
*Mr Tipple's, 39 Fell Street, San Francisco USA 94102*
*17:15 (PDT); 19:00 (PDT)*
*Nick Rossi presents The Jazzopa...
Bill Evans en Todos los Colores
-
A mediados del siglo XX, surgió en Estados Unidos un músico de jazz que
encarnó la síntesis entre la música que, por agilizar la conversación,
solemos llam...
Jazz Lo Sé Standards: Episodio 182
-
Queridos seguidores de Jazz Lo Sé:
luego de cuatro años de presencia ininterrumpida de Jazz Lo Sé en vuestra
plataforma preferida (durante 3 de ellos, do...
NOTICIERO DE JAZZ: OCTUBRE 2023 (I)
-
Sábado 7 de octubre.
Músico del día: "Papa" Jo Jones.
(07 OCTUBRE)
BREVES:
ANIVERSARIOS DE JAZZ: 7 DE OCTUBRE
--N...
Sol Schlinger, Baritone Sax Extraordinaire
-
In the 1950s, when the 12-inch album became dominant in jazz and pop, many
labels needed musicians who could record perfectly in the fewest number of
takes...
Shellac Stack No. 324
-
Shellac Stack No. 324 chirps with the birds! We dance with Bob Deikman,
Roger Wolfe Kahn, Sam Lanin, Nat Shilkret, the Savoy Havana Band, and
others; laugh...
HOMENAJE A FERNANDO SUÁREZ PAZ
-
El bandoneonista Horacio Romo, el pianista Nicolás Ledesma, Daniel Falasca
en contrabajo y el guitarrista Ricardo Lew, se reúnen para homenajear a
Fernando...
Jazz Casino: formación de 1958
-
Fotos de la orquesta Jazz Casino, previas a julio de 1958. Se anuncia que
en dicho mes tocarán en Porto Alegre y otras ciudades brasileñas. El
retorno está...
JORGE GARCIA - "DEDICATED TO YOU" (2022)
-
*Aunque su nombre no es conocido por los amantes del jazz en todo el país,
el guitarrista de origen cubano JORGE GARCIA ha trabajado con muchos
músicos ...
Louis Forever
-
Twenty years ago I celebrated Louis Armstrong’s influence with some of my
favourite musicians for The Herald Magazine, in advance of a centenary
concert at...
In Loving Memory of Jack Bradley
-
The ranks are thinning, my friends. And the world just got a whole lot less
fun. Jack Bradley has left us, passing away on March 21 at the age of
87. I've ...
Jazz Scene in Boston Exhibit Extended
-
In September 2019, I worked with Chandra Harrington and the staff at the
Museum of African American History to develop the exhibit, Jazz Scene in
Boston: T...
Duke Ellington’s British Diary, 1933
-
The core of the information set out below comes from Howard Rye (1980)
‘Visiting Firemen 1: Duke Ellington’ Storyville, 88 (April 1980): 128–30. I
have add...
WKCR Traditions in Swing: Frank Teschemacher
-
WKCR Traditions in Swing: Frank Teschemacher:
Aired on June 25, 2016, Phil Schaap hosts this episode of Traditions of
Swing on WKCR 89.9 FM NY, dedicated ...
-
ESTE 2017 NOS ENCUENTRA NUEVAMENTE CON EL 4TO AÑO DEL CICLO DE JAZZ EN EL
BAR CAFE BONAFIDE DE CASTELAR
ESTE AÑO HEMOS CAMBIADO A LOS SABADOS POR LAS NOCHE...
PREMIO A LA EXCELENCIA HCM
-
El próximo 28 de setiembre a las 17 hs en el salón Aquiles Lanza de la
Intendencia Municipal de Montevideo; se va ha entregar al Hot Club de
Montevideo el ...
http://rapidshare.com/files/208002812/Jam_Session_-_Coast_To_Coast.rar
ResponderEliminarVery nice Wild Bill Davison and thank you for the link. What is the password for the .rar, please?
ResponderEliminarEstimado Mario, al visitar tu página -maravillosamente hecha- se me ocurrió bajar este trabajo y no acierto dar con el pass para abrir la carpeta del rar.
ResponderEliminarEspero me llegue la usgerencia.
jagperiodismo@gmail.com
Juan Alberto Guttlein
Aleman56
www.lanovaboticadelaleman.blogspot.com