Cumulus Mingus by Mingunos "La banda arranca más o menos en 2013 a partir de un cuarteto que se expande a septeto con la idea de toc...
WKCR NY NY
sábado, 11 de julio de 2009
LA GIRA DE BENNY GOODMAN :NOVIEMBRE 1961
1961 First tour of South America, where big band plays to SRO crowds in Argentina, Brazil, Chile and Uruguay.
in the 1960s, Goodman expanded his role as jazz ambassador with tours of South America (1961), the USSR (1962), and Japan (1964). During the 1960s and 1970s, he toured about half of each year, dividing his time between appearances with small groups and increasingly frequent commitments to performing classical works. The 40th anniversary of his concert in Carnegie Hall was celebrated there on January 17, 1978. Although he put together a big band for the occasion, he made no attempt to recreate the original program. A recording (released in 1982) with George Benson clearly demonstrated that Goodman had lost none of his creative energy or technical facility. He was one of the five recipients of the fifth annual Kennedy Center Honors awards in1982. Many of his recordings have been newly issued by Sunbeam, a label devoted largely to aspects of his work. His collection of scores, recordings, and other materials was bequeathed to Yale University.
by Scott Yanow This four-CD box set from the European TCB label releases for the first time the music from four Benny Goodman concerts. The great clarinetist is heard at two nostalgic big-band appearances, heading a 13-piece unit in Bangkok, Thailand in 1956 (with fine solos heard from trumpeter Mel Davis and Budd Johnson on tenor) and a 15-piece orchestra in Santiago, Chile in 1961, a band that also features trumpeter Buck Clayton. However it is the other two performances that are of greatest interest. Goodman plays at his most advanced with an all-star group (which includes trumpeter Jack Sheldon, trombonist Bill Harris, the tenor of Flip Phillips and vibraphonist Red Norvo) during a particularly exciting set from Basel, Switzerland in 1959 and his solos from Berlin in 1980 in a quintet with four supportive but obscure musicians are surprisingly inspired. In fact the German concert is arguably Goodman's finest recording of his last decade. This well-conceived set (which has a different small booklet for each of the CDs) is highly recommended to Benny Goodman's many fans. ~ Scott Yanow, All Music Guide C 2008 All Media Guide, LLC Content provided by All Music Guide R , a trademark of All Media Guide, LLC.